Our Tragedy.

 

Synopsis

(Excerpt below)

A wife accused of murder. A teenager searching for answers. A neighbor who knows everyone’s secrets.

 

Kore’s doting husband is murdered in broad daylight mere steps outside their front door. Her life in shambles, all she wants to do is hide away and grieve her loss. But a shocking photo taken at the crime scene is made public, and she finds herself dodging the press and defending her innocence.

Hannah, a less-than-popular teen with striking turquoise hair, overhears a conversation between classmates just minutes before finding out about her favorite teacher’s murder. She worries that his killer might be walking the halls with her, and soon, everyone becomes a suspect.

Their neighbor, Clarence, keeps a journal of everything that goes on in his small cul de sac. Secrets are being harbored behind each door and window. After his neighbor’s death, he begins to wonder who was willing to kill to keep theirs buried.

For fans of Liane Moriarty and Gillian Flynn comes a novel about the ripple effect of grief created by one man’s murder through the eyes of his widow, one of his brightest students, and his ever-nosy neighbor.

 

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Often I listened to ambient music or cafe AMSRs. When I did listen to music, it was from one playlist.


Excerpt:

Sunday

Kore

Kore skids to her husband’s body. The skin on her knees scrapes and tears on the sidewalk—a hot press to the childish burns.

Her voice comes out broken, hoarse. “Leo? Leo, wake up!” Limp, he doesn’t respond.

Far off, Kore hears a siren. She imagines it’s for them, and someone is rushing their way with a gurney and defibrillator, oxygen, needles, bandages, and bags of O-negative. Thick warmth oozes beneath her fingers as she tries to staunch the bleeding. Leo’s stomach and chest are covered in the cheap merlot they toasted with on their wedding day because he hates champagne.

Her screams fall flat in the oceanic silence of a childless cul de sac Sunday afternoon. Leo’s chest hasn’t risen; it’s as still as the vanity rocks beside their mailbox.

Kore knows the moment her lips touch his that he’s gone. She just kissed these lips; they moved with hers, warm from a late morning coffee and chapped from the too-cold Spring.

Taking a deep inhale, she offers her life to him. Two breaths, three. Kore realizes she can’t remember how to properly perform rescue breathing. Four breaths, six. She presses on his ribcage, and her hands slip. It happens again with the second compression.

Nothing’s happening. “Wake up, Leo! Get up! Don’t do this to me! I love—”

Kore presses a kiss against his bloody chest as she does every morning, only this time without the expectation that it will rouse him. She surrenders to the already lost battle and briefly wonders if she’ll be able to hear sirens over her pounding heart—now beating for two.

 

Clarence

Asian Female + Ginger Male
—Detectives
—Late
—Female seems to be in charge
—Male pudgy officer is attracted to female (she pays him no mind)
—This makes 5 officers and the M.E. so far
—M.E. says at least 4 stab wounds but won’t confirm

Clarence closes his leather notebook—pen still inside—and wraps the worn cord around it. He can keep track from inside his house, or he can keep track from outside his house. Given that the police will knock on his door soon enough, he may as well glean more information directly from the horses’ mouths.

He grabs the long-handled umbrella he pretends is for rain and not because he’s too stubborn to get a cane, then steps into the bright sun and calamity of the crime scene his neighbor’s yard has become.

One of the male officers scribbles on an office supply store notepad as people talk to him. He glances up, nods, writes; rinse and repeat, just like Clarence.

Most of his neighbors beat him to the punch, already closing in on Kore and Leo’s home. They politely nod to him—not wanting to make the moment social in any way—while a plain-faced female officer is none-too-politely pushing back onlookers coming from nearby streets to gawk at the cul de sac’s tragedy.
Clarence steps to the far edge of the tape and listens to the smitten doughy officer go over what he knows. “The wife was on the phone with her sister—Persephone and Moira, respectively. Persephone goes by Kore. The husband was out getting the mail. The husband’s name was Leo. Kore said he’d been gone for too long, and she was concerned. When Kore went outside, she found him like that.” The officer hitches a stub of a thumb towards the body with a blonde in a lab coat hovering over it. “The victim has been stabbed, but Linda is still trying to figure out how many times.” Clarence jots down that Linda must be the medical examiner. “Kore tried mouth-to-mouth resuscitation—said she knew he was dead, but she quote, ‘had to try; he’s my husband.’ Then she screamed until two neighbors came out. The caller was her neighbor Clarence Neddermeyer at 593. Have you heard the 9-1-1 call yet? Calling her a vampire and the like? It does paint a picture. Anyhow, he said very little and hung up. Never did say his name, though. But he’s the only one who lives at that address. He just wanted on and off the phone quickly, is what I think. Sometimes you don’t have time for pleasantries. On the other hand, maybe he just didn’t want to get involved, wanted to keep his name out of it. Can’t blame him. The other neighbor… Um, Ninny. Yes, Ninny—over there—waited with Kore; she lives in the pink house across the way.” The officer is clearly pleased with himself, as if his summary was exceptional.

The detectives find it adequate, nod once, and wander to the front stoop where Kore is sobbing loudly.

Clarence uses the moment to sneak to the mailbox. I shouldn’t touch it, but it’s open.

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